art book

The Spoils

 ”Breakfast of the Undesirable” by Sterling Hundley from the “Blue Collar/White Collar" monograph published by Adhouse Books. 
Facing a home remedy of sheep dung tea for his ailments, a young boy refuses to drink the putrid brew. Growing weaker each day, he finally gives in, begging for anything that might ease his illness. 
Shown hear drinking sheep dung tea, eating crow and humble pie.
From a story and illustration first created for Virginia Living magazine.
Feb 29, 2012 / 170 notes

 ”Breakfast of the Undesirable” by Sterling Hundley from the “Blue Collar/White Collar" monograph published by Adhouse Books. 

Facing a home remedy of sheep dung tea for his ailments, a young boy refuses to drink the putrid brew. Growing weaker each day, he finally gives in, begging for anything that might ease his illness. 

Shown hear drinking sheep dung tea, eating crow and humble pie.

From a story and illustration first created for Virginia Living magazine.

Feb 28, 2012 / 1,584 notes

"Bigfoot Hunter"; perception vs. reality from Sterling Hundley’s Blue Collar/White Collar monograph.

"If life moved at a steady speed and constant direction, then art would not survive. We need only lead the beast with the proper trajectory to take it down. But life lives, and we must choose to take it or to tame it. Art is us run-through-the-world and the world-run-through-us."
from Blue Collar/White Collar
Feb 22, 2012 / 40 notes

"If life moved at a steady speed and constant direction, then art would not survive. We need only lead the beast with the proper trajectory to take it down. But life lives, and we must choose to take it or to tame it. Art is us run-through-the-world and the world-run-through-us."

from Blue Collar/White Collar

Feb 20, 2012 / 142 notes

"Blackbeard" from Sterling Hundley’s Blue Collar/White Collar monograph from Adhouse Books.

The first two to “Like” The Blue Collar/White Collar FB page and respond correctly here to the following questions will receive the “Town Destroyer” Limited Edition (300) 3-color Screen Print from artist Sterling Hundley.
"Town Destroyer" is the first in a series of pieces created to reflect "History never told" from the point of view of those that were conquered, not the victors that wrote the history.
1. Who is depicted in the “Town Destroyer” print?
2. Which people referred to this leader as “Town Destroyer”?
3. What is their native word for “Town Destroyer”?
Feb 19, 2012 / 4 notes

The first two to “Like” The Blue Collar/White Collar FB page and respond correctly here to the following questions will receive the “Town Destroyer” Limited Edition (300) 3-color Screen Print from artist Sterling Hundley.

"Town Destroyer" is the first in a series of pieces created to reflect "History never told" from the point of view of those that were conquered, not the victors that wrote the history.

1. Who is depicted in the “Town Destroyer” print?

2. Which people referred to this leader as “Town Destroyer”?

3. What is their native word for “Town Destroyer”?

In the studio tonight drawing to fulfill Blue Collar/White Collar book orders!
Feb 17, 2012 / 10 notes

In the studio tonight drawing to fulfill Blue Collar/White Collar book orders!

"Molting" from Sterling Hundley’s Blue Collar/White Collar monograph by Adhouse Books.
“Illustration is Blue Collar – both pervasive and accessible. It is art that must survive in spite of commerce and function. There is a desperation to the thing; illustration that doesn’t work doesn’t eat. Given limitations in time to communicate and the space in which to do it, illustration must answer a question.
Fine Art is White Collar – reclusive with airs of mystery and sophistication. It is pursued. Given the abundance of space in which it is viewed and the time which it is afforded, fine art has the luxury of asking a question.”
Feb 14, 2012 / 2,720 notes

"Molting" from Sterling Hundley’s Blue Collar/White Collar monograph by Adhouse Books.

Illustration is Blue Collar – both pervasive and accessible. It is art that must survive in spite of commerce and function. There is a desperation to the thing; illustration that doesn’t work doesn’t eat. Given limitations in time to communicate and the space in which to do it, illustration must answer a question.

Fine Art is White Collar – reclusive with airs of mystery and sophistication. It is pursued. Given the abundance of space in which it is viewed and the time which it is afforded, fine art has the luxury of asking a question.”

Lil’ help deciding? 
Voting on FB page:



Any thoughts on which of the two images would make a better 3 color LE Screen Print? With or without type? Can you let me know if you’d like to own one- $30 + ship price range, signed, numbered (100-250) 18” x 24”? Thanks!
Feb 8, 2012 / 20 notes

Lil’ help deciding? 

Voting on FB page:

Any thoughts on which of the two images would make a better 3 color LE Screen Print? With or without type? Can you let me know if you’d like to own one- $30 + ship price range, signed, numbered (100-250) 18” x 24”? Thanks!
Feb 8, 2012 / 67 notes

Blue Collar/White Collar from Sterling Hundley and Adhouse Books.

Signed and adorned with original drawing on the endpapers: $34.95 + shipping

$50.00 + shipping: LE (100) with slipcase and “Nation Slayer” LE (100) print

$34.95 + shipping: Signed and adorned with original drawing on the endpapers: 

$24.95 + shipping: Unsigned

Available on Etsy.

Feb 8, 2012 / 113 notes

SOLD

“Fashion I”
Created by: Sterling Hundley
Size: 6.5” x 9.5
Framed: 13” x 16”
Price: $325.00 framed + shipping
Personal work
Medium: Ink, pencil, china marker on board
Created: 2009
“Fashion I” appears as a detail within Sterling Hundley’s retrospective monograph Blue Collar/White Collar on pages 78 & 79.