A FRUITLESS ENDEAVOR. LIMITED (100) GALLERY PRINT from Sterling Clinton Hundley
offered at $75.00 for immediate delivery
Limited to an edition of 100.
Created from the work, “A Fruitless Endeavor”, this collector’s edition gallery print has been expertly crafted and produced as a screen print on 100 lb archival French’s paper.
The work is richly embellished with an insignia from “The Spoils” exhibition series, as well as with a golden accent border.
At 14.5” x 24”, each print is signed and numbered by the artist and is suitable for framing.
Kickstarter Rewards of the same kind will ship first.
My recent trip to Brigham Young University in Provo, Utah left me feeling as though I’d seen one of those must see things in one’ lifetime. Nestled between the Rockies are some of the nicest folks you’ll ever care to meet. This is a series of a shots taken by Greg Newbold, a fine illustrator and one heck of a host. Shown here is a drawing done during Robert Barrett’s morning class. The night before, I arrived in Salt Lake City at 7pm after a missed connection flight. My lecture, scheduled for 7pm didn’t begin until nearly 9pm and lasted until 11:00pm give or take. The next day was full of 4 demos and a visit to Bethanne Anderson’s Illustration History Class. More to come in the next post.
”Breakfast of the Undesirable” by Sterling Hundley from the “Blue Collar/White Collar" monograph published by Adhouse Books.
Facing a home remedy of sheep dung tea for his ailments, a young boy refuses to drink the putrid brew. Growing weaker each day, he finally gives in, begging for anything that might ease his illness.
Shown hear drinking sheep dung tea, eating crow and humble pie.
From a story and illustration first created for Virginia Living magazine.
"Bigfoot Hunter"; perception vs. reality from Sterling Hundley’s Blue Collar/White Collar monograph.
"If life moved at a steady speed and constant direction, then art would not survive. We need only lead the beast with the proper trajectory to take it down. But life lives, and we must choose to take it or to tame it. Art is us run-through-the-world and the world-run-through-us."
"Blackbeard" from Sterling Hundley’s Blue Collar/White Collar monograph from Adhouse Books.
The first two to “Like” The Blue Collar/White Collar FB page and respond correctly here to the following questions will receive the “Town Destroyer” Limited Edition (300) 3-color Screen Print from artist Sterling Hundley.
"Town Destroyer" is the first in a series of pieces created to reflect "History never told" from the point of view of those that were conquered, not the victors that wrote the history.
1. Who is depicted in the “Town Destroyer” print?
2. Which people referred to this leader as “Town Destroyer”?
3. What is their native word for “Town Destroyer”?
In the studio tonight drawing to fulfill Blue Collar/White Collar book orders!
“Illustration is Blue Collar – both pervasive and accessible. It is art that must survive in spite of commerce and function. There is a desperation to the thing; illustration that doesn’t work doesn’t eat. Given limitations in time to communicate and the space in which to do it, illustration must answer a question.
Fine Art is White Collar – reclusive with airs of mystery and sophistication. It is pursued. Given the abundance of space in which it is viewed and the time which it is afforded, fine art has the luxury of asking a question.”